Vibrakeys: Keys to our New Cosmology, with Saleena Ki

This month we interview Saleena Kí, who describes herself first as a storyteller, then visionary artist and Star-being, who is currently stationed in Paradise living in Hawaii which is living in breath and water. Saleena and I have been working with each other for many years, yet we live the other side of the Earth to each other. As far as energy is concerned, however, this distance has been no barrier and our journeys together have been many and varied and great fun.

Last month Saleena invited me to share in an exciting project to experience a new Vibrakey; VK37 Sublime Health Project, that she designed with the Arcturians help. This co-creation has opened up an exciting new way of using and interacting with the Vibrakeys which is still unfolding, and next month we explore how this has developed in part 2 of this interview.

Saleena: Aloha every One-der-ous being, I am so happy to be sharing something I am so passionate about! Thank you, Colin, for the opportunity to share some of this amazing energy that has been unfolding around and within me.

First I want to reach inside and open my heart, then invite you and all those reading this, to do the same. Breathe deep and notice what is beautiful around you and in you. Now let’s appreciate each other, for who we each are in this moment. Let’s share some energy and love. Now this is the frequency it is most desirable to share in. To me, this is where the most magic is! This is The Magic of Being together. Since time is an illusion and there is only now, I will feel you and celebrate your uniqueness. Thank you for everything you are contributing to creating this new reality!

Colin: That feels really good Saleena, thank you. Perhaps we can begin our conversation with how you came to design and produce the Vibrakeys.

Saleena: Vibrakeys came into my awareness 11 years ago while I was happily creating a kind of healing art I call The Art of JuiceyLiving that was healing and opening me to a new part of myself and expanding my world. See www.transformationalart.com for this art and story.

I asked a friend to do a reading for me in September of 1998, and together we saw a vision of a new form of art coming through me, although it was puzzling. How could I portray what I saw? I saw this new art HUGE, from the side, seeing energy grid lines running from unseen places in space, through the design and out to connecting points here on Earth. I saw new “never before seen” colors, heard music and pulsing sounds and saw lights and things spinning.Surprisingly, I smelled the most beautiful aromas! My guides assured me if I was patient it would come to me.

In November of 1998,I was guided to attend a Star Knowledge Conference where I met many people who had been in contact with ETs, UFOs or higher dimensional beings. I was astonished by what I encountered there and had fun sharing the art that I had been channelling! Then I attended a Crop Circle presentation where I viewed the most amazing Mandalas made on the earth and in crops without breaking them. There seemed to be a mysterious force creating them. Many of them appeared in England where you live. I was fascinated and it activated something inside me. I had never been interested in sacred geometry before this. Something was activated.

Colin: So at that point you were just beginning to realise there may be some new art expressing itself?

Saleena: I asked how I would begin this new art and my guides said they had so much they could share with us, the best way was to make requests. I did. I felt out of balance one day, so I asked for something to help bring my chakras (energy centers) back into balance. I began to receive guidance that lead to the birth of the new art.They asked me to get out paper and a pen and place a Star Knowledge symbol called the Universal Law of Nature in the center, with a spiral at the top and one of the Mayan Glyphs I had been studying on it, then just relax, let go and “mindlessly” doodle around it, something I have done my whole life.

This is what came out - It is called BVK01 ‘I AM That I AM’.

I felt the balancing effect on me immediately and was very excited, his was really fun! Many of my friends began to make requests. I would write them down on a piece of paper and lay them on my desk. One by one I was inspired how to create them to fulfil the requests, which is how the first 6 were born. Then I began to have some connections opening up to others where psychic messages would come in.

VK08 was first called The Grid, and it was given through the psychic children’s network as a way to help us open to the idea of learning differently. I didn’t really understand much about this at the time, it was mostly ideas that would come into me. Later I guess, when I was more open, I found out who had inspired me and why.

They were all black and white line drawings up to number 10, I wrote the backs by hand and used a copy machine to make the prints, then would laminate each one. These are now known as the Black and White Originals and they are now available as prints. Later I was guided to mirror the image and reverse the colors of the first 10 so there were 20 and these became the reversals.

CVK11 WaterAlive, At the 11th one, WaterAlive, the color started; This was one of the most exciting things I had ever created. It began my romance with water and finished up by “ripening” in the full blue moon light. I find many of these designs or devices come in during certain powerful astrological alignments and certainly I am called to work on them during certain strong energetic times. I had been studying the most leading edge research that had been done on water and I made the request for something that would bring water back to an alive and vital state, something that would support us during our ascension process.

Masuru Emoto wasn’t even popular back then. Water is an amazing key to everything. There is so much information everywhere now about restructured water and how vital and yet mysterious it is. The market is flooded with all kinds of amazing devices and designs that do all kinds of things to water. The central heart of my mission is to assist in the cleansing and evolution of water planet wide and in our internal waters. (That is what my name is about; Saleena=saline, Kí means “from the womb of mother.” I received it in a dream from the most loving beings I had ever encountered yet. Later I found out they were Lyrans, from Lyra).

The Lyrans hosted VK31 PeaceMaker.

This emits the frequencies of home. “LYRA; The general area of the "birth" of the humanoid race. All humanoid races in our galactic family have genetic roots connected to Lyra. It is the symbolic harp upon which the song of humanity is played.” The Prism of Lyra by Lyssa Royal and Keith Priest .

By the time I was on VK20 Bliss Breath / Mer-Ka-Ba /LightBody Activation, I begin to colorize and dimensionalize the first ten and update them. These are now called the Classics.

Colin: What medium did you use for them at this point?

Saleena: At first it was a black fine line marker, then I started using water color markers to color them in….Gold and silver and copper gel pens entered the scene.

Here is CVK01 ‘I AM That I AM’ in color.

For CVK15 Heart-Thymus I began to use a mandala technique with black paper and white color pencil, then covering it over with colors.

You can find this in Judith Cornell’s “MANDALA: Luminous Symbols for Healing.” She introduced me to the idea that you could imbue your art mediums with energy! That really opened me up to a whole new level of reality creation with my art! I also used a kindergarten technique, where you color all over a shiny piece of art paper and then cover the whole thing in black, then scratch away to reveal your expression… wow! I was having so much fun creating!

Colin: So when did you decide to call them Vibrakeys?

Saleena: After I had created a few, I asked what we could call them. They told me that this was all about vibration and someday we would all understand this, so they suggested “Vibra-keys.” It is a perfect name for them. They gave me an image of them all laying out on the floor and showed how anyone could see all these vibrations in one glance.

Colin: Are Vibrakeys static, or do you change them over time?

Saleena: Every Vibrakey seems to go through periodic updates as I and the world around and within me evolves. We just went through a major renovation of everything within the whole Vibrakey system. All of the designs and information have been updated over the last 3 years and many new designs are being offered for the first time on our website. Everything seems to sparkle with the new energies now.

Sometimes, the hosts of a Vibrakey change or step forward and ask me to work with them on bringing a new understanding to a Vibrakey and what it represents. This happened with VK18 Crown-Brain . The Divine Feminine, the Great Cosmic Mothers, the Great Goddesses all ask me to help them bring a new aspect of this key into the light. They explained that it was time to bring the feminine and her ancient sacred knowledge out into the light. It was called Crown-Brain because it helps to harmonize four sections of your brain and brings a balance between the different bodies, physical and energetic. I knew it worked with kundalini and sexual energies. They explained that it was time to bring sacred sexuality into a new energy, to share how vital it is in transforming our bodies at this time. It is now called VK18 Kundalini Rising. That is the short name. They all have longer descriptive names too: Kundalini Rising - Sacred Sexual Energies - Serpentine Power - Dragon’s Nest - Ecstatic States - Strengthen KA Body - Body-Brain Harmonizer - Easy Alpha Trance - Open the Throne of the Crown Chakra. It still does everything it originally did and now more of the deeper aspects of what it is was revealed by the Divine Feminine.

Colin: Your Vibrakeys are so full of light, do you scan the images in or are they produced directly into the computer?

Saleena: VK18 was created during my “romance with dots” time period. I was studying certain indigenous cultures and was fascinated and attracted to the dreamtime art of the Aboriginal people, who hold such a sacred space for us between the dream and the dreamtime. I did the best I could with the art mediums I had, yet when I first scanned my art into the computer, it was so dark! I did my best to bring some more light into it and gradually, as more light came into me, I realized that my visions were much more filled with light and energy than I could portray with the physical art mediums.

This is when I was introduced to the computer and to the magic of programs like Photoshop and Painter. The different versions here arean example of the evolution from the original VK18, to an enhanced version in Photoshop and latest update with new elements added.

I realize now that as I changed and evolved, the Vibrakeys reveal more of their multi-dimensional-ness to me. On our new updated website, www.Vibrakeys.com , you will be able to view all the Vibrakeys in galleries with all kinds of perspectives.

Here is VK01 with a new name and focus:

VK01 Creation Cosmology / I AM THAT I AM / DNA Activation / Access the Genetic Truth of your Origins

Colin: When did you first start presenting your work on the internet?

Saleena: I created my first websites 8 years ago, with the help of a beloved partner and friend who helped me bring the Vibrakeys from hand written texts and color copies to a more professional production.

Gradually, I was able to do more of the production at home, which gave me a much higher quality control and a longer lasting product using quality paper and archival inks which resist fading for much longer. I am very careful to make sure the colors are just right and the designs show all their details. At this point, I do all the production by hand and at home, so every Vibrakey is created lovingly by one of the co-creators. I imagine we will grow out of that soon enough.

Colin: How would you describe a Vibrakey and its purpose?

Saleena: They are KEYS to activate or unlock your innate potential within. They stimulate and activate your personal encodements which are within your system, re-connecting you to the ONENESS, the Source-Creator that you already are, supporting you to fulfill your soul’s highest purpose and design this life.

They act upon your physical and subtle bodies, at all levels, to help you produce desirable changes as you interact with them either visually or by being in proximity to them.

They are:-

· MAPS to follow for exploration of new territories and ultimately to lead you home.

· PORTALS into a vast barely explored omni (all) dimensional territory.

· Energetic BRIDGES to many new life-forms within the web of life.

And much more! They are full of sacred geometry, keys, codes, light languages, levels and levels of dimensional energies, visual stories, maps and an array of old and new symbols which bridge the past, future and anchor it all into the present moment which is NOW! They are hosted by many different kinds of beings from many dimensions and through using the keys you can begin to meet them. It has been wonderful experiencing such a diverse co-creation and making so many new friends! There are more stories about all this on the website within the backs, the guides and in the new upcoming manuals.

They all work together as a matrix or grid system. Each Key influences the others and they support each other, though each individual Vibrakey works within different themes and vibrational energies. I was once shown this illustration: I saw a box with Vibrakeys on every face, then the box fell open and there were more Vibrakeys on the inner faces, then every face sprung open like the first box and it became dimensional and this action was repeated over and over until, like two mirrors positioned just so, you see they go on forever…not in a linear way. That was a beginning glimpse of the multi-dimensional aspects of these Vibrakeys.

Colin: How do Vibrakeys work, how are they physically presented?

Saleena: The Vibrakeys work on a variety of dimensional levels depending on where your consciousness is and how you choose to engage them. Each one has comprehensive information on the back, including their purpose, channeled messages, mantras, meditations and ceremonies to assist you in their use. The vibrational “art” design on the front and the information on the back are laminated together so you can use them as a durable tool. At this time, I make them all by hand, each one, right from my studio, which is inside an energetic pyramid with an organic ship docked here. That is another story... Since the beginning, songs and mantras have come along with their creation. I sing them over and over, as the songs and tones are part of creating a new reality. I include some of the words and mantras to use with them. I have a dream to record them to share someday.

If you could see all the layers that go into a Vibrakey you might be astonished. One design, VK27 Golden Pyramid has about 30 layers in Photoshop; well I decided open the file and count them to be sure. Actually, it has 238 layers, starting at the pyramids apex moving toward the center, with one of pure gold frequencies, then inverts and repeats 238 more layers to the bottom point. That is 477 layers! I had no idea!

At this time, they are presented in a flat 2D art form. Recently I met a man who has developed a new formula using the spiral in architecture. His work is certainly leading edge and beautiful. He was creating dimensional models and said he thought putting art into the 2D form ruined it. He suggested I make 3D models out of it. I had laid some of the Vibrakeys on the table during our discussion. He was standing talking to me and suddenly he really started looking at one. He put his hand over it and his eyes got wide. He looked so surprised and asked me if I knew that the energy of these designs came from somewhere else? I had to chuckle with him over his discovery. That was a wonderful testimonial of the dimensional nature of these designs!

Colin: Have you had any feedback on your work since you have been presenting the Vibrakeys?

Saleena: Here’s quote I love, from a visionary man, Barry, who received some of the Vibrakeys and really tried them out, following the processes and looking into them and how they interacted with his energies.

“The primary function of the Key (Vibrakey) is as a conduit for higher energies. The form is not as important as what it connects to. This is not to say that the form itself does not resonate certain archetypal energy patterns like merkabahs, chakra colors etc. However, more importantly is that Saleena’s consciousness is open to these higher energies and presences and they simply ground their frequencies as she envisions and then puts brush or other tools to paper. This allows the energies to be encoded. Each Vibrakey is like an icon on a computer. The icon is symbolic and not so important as what is behind the icon, what happens when you click on it and activate the program. So, it is with the Vibrakey. When one brings awareness to it with the intention of receiving its energies you click the icon and download the multidimensional programs… I think it is important to understand that the Vibrakeys are, in a real sense, conduits for living process orchestrated by divine presences that work through the keys. They use the keys as access and energy channelling matrices for evolving the consciousness and energy of the soul opening to them. They are in essence multidimensional holographic, living transformational experiences.”

Barry Martin Snyder see his website:

Colin: I notice you have started grouping some of the Vibrakeys together, and providing more guidance.

Saleena: I am now designing individual manual for each Vibrakey with many more stories and ways to use them. In these I will share more about their creation process and the many other dimensional beings I co-create with. I have many unpublished stories to share.

I am beginning to offer themed sets or kits, such as the K-EP Energetic Pyramid Kit;

This has all the parts and guidance needed to help you set up and activate an energetic pyramid. Its general purpose is to enhance Health and well-being, rejuvenate and immortalize your physical body, enhance and stimulate creativity: arts-writing-music-etc. It is a dimensional space for making Contact, or Shamanic Journeying. It supports you in a clear space for channelling. It is a great to set one up to generate the appropriate energies for Workshops or Conferences. Larger kits are big enough to encompass a Conference or Convention Room. It will enhance your workspace, living, or sleeping space. I have had some amazing adventures in mine! We have three pyramids in our home, one in my art-studio where we have an organic ship growing, one where Marimar works at his computer, and one where we sleep. Each one is set up with different intentions so they are customized to fulfil the unique needs of each environment.

Colin: Yes I have one in my office at home, and it provides a wonderful clear energy that I have now been able to take with me wherever I go. Like you I have been able to access my ship more easily through the pyramid energy (more about our ship project in later bulletins). Do you have other kits?

Saleena: The K-TW Transform your Water Kit includes WA2 RainbowWater-WaterAlive that restructures water resulting in a sweeter taste; silkier texture more satisfying to your physical and energetic bodies! Most people can immediately taste the difference. Just yesterday a woman from Oregon tasted the water and exclaimed how it tastes just like her wonderful water right from the mountains there. She said my water was REALLY good! I just finished a 6 year project, working with an advanced group we call the Ambassadors. They love water and offered us a series of design patterns to bring our water and ourselves to higher states of consciousness. It is called BluWater and is offered in both VK44 BluWater and Red Creation Codes and a powerful small disc called C-RA Rainbow Energy Activator. This is a design that includes many of the best of the Vibrakeys elements and is offered in the K-HC Higher Consciousness Kit. We are planning many more sets to serve particular needs. One man recently asked if we could put together a set for helping when someone is ready to meet their soul mate.

I just put together a full set called S-ALL “Keys to your New Cosmology; One of Everything.” You have a whole set of these keys to play with! Keep watching, more are being created…

Colin: How would someone choose a Vibrakey for themselves?

Saleena: There are several ways. The first is to look through them quickly and see which ones you are immediately and strongly attracted to. Then notice the ones you really don’t like. Both of these contain frequencies that your body can use to support wherever you are in your transformation process. Dowsing or muscle testing is another way. If you are not familiar with the keys, reading the backs, looking for the purpose, theme and what it addresses will give you the information you need to form an understanding of what will best support you. Ask for understanding from your higher self. Ask for assistance from your guides. Be open to your own intuition. These Vibrakeys are “focusers”, they focus your attention on particular themes and aspects of your evolution, remember, it’s all really inside you. They mirror things your soul wants to work on. We have a comprehensive list of things each Vibrakey might assist with on our website.

Remember that you create your own reality by your inner patterns and beliefs. Change yourself and the world around you changes. I believe these Vibrakeys are here to bring new things to your attention. To plant new ideas and help open you up to your higher senses and perceptions. You are becoming a multi-dimensional being. Eventually all this will be in you and you won’t need them.

They Evolve as we Evolve. In fact, having all of them in my life has been quite a ride!

I go through my own unique transformation process as each one forms and gestates, then births into its unique individual form. Of course, as the creator, I have them all. I find that I am attracted to certain ones and I keep them around me, everywhere, sometimes for a long time. Then gradually I notice I am no longer attracted to one or another, so I check to see which ones I am more attracted to and place them around me. Sometimes one that I was done with becomes attractive again… they seem to go in spirals; I come around to them again. They have many levels of you they can address as you progress.

Colin: Where do they all come from and what do you mean by co-creation?

Saleena: In the beginning there was a group I called the “Council” that was always talking to me about the Vibrakeys. One day, Patricia Pereira, the author of the series of books called “Songs of the Arcturians”, asked me who they were? I just knew them by my Council. She said I could ask them to identify themselves. So I did. They said I could call them the StarBand OutReach Council. They said they were made up of many Creatives; artists, scientists, writers, inventors, creators, just like us on Earth. They had so much to offer us and we had to ask. They said they supplied much of the inspiration around the world for things that advance us.

They would introduce me to different beings who would host certain designs. Some you would know and others are new to us. They are here to answer questions and guide me anytime I ask. Much of this is about working and playing together between the dimensions, meeting our forgotten families and friends and together co-creating a new reality structure and experience. We are at a most exciting door which is closing to the old age; some call it the 4th age and opening to the 5th age, a Golden Age. You can read more about this in my latest Spinning-StarS Newz in “The Rainbow Connection.”

Occasionally, they make a suggestion, give me an idea or give me a whole design in my mind, like VK26 19.5 Hawai’i Paradise Frequency. One day I was at the beach, walking along the lava. The host being simply dropped a fun idea in my head, then as I responded, dropped the whole intricate and detailed design in… saying that it was a gift from all the nature beings on this Big Island of Hawaii; their gift to us. Later I found Mary Magdalene working with us on it. That happens. The designs are many layers and sometimes several beings host different parts of the design. The whole of creation sometimes aligns so I can have a dynamic experience of the patterns coming in. It seems to move through my body, consciousness and experiences before I can publish one. I interacted with every being in the new mandala that week. It was amazing, including swimming with the two whales! I have since become great friends with the Shark God, Mamakoe, who first gave me this design. He is a portal expert and has taught me some about portal travel. There are many adventures surrounding every Vibrakey from its conception to its birth and it doesn’t stop there. They continue as I use them and explore their dimensions ever more deeply. I will eventually share more of these stories.

Colin: Do you align yourself in any way to the highest good, to make sure they are for our best interests?

Saleena: I have a binding agreement with the universe. I will only work with higher consciousness beings and projects that resonate in love and through the heart. I feel energies that are out of this alignment. They have to align with our goals for a new earth and reality. They must support ascension. I have friends and loved ones who will tell me if the energies are faulty…. I had one turn off, become energetically dead, when activities around it became stressful and we went out of our hearts. We had to work very hard to get it clear and turned back on.

Colin: Where are you going with them from here? How do you envision them assisting us in bringing in a new reality?

Saleena: Three years ago my new partner Marimar and I began to see a whole new way of presenting the Vibrakeys within a much greater vision. Marimar is a visionary who sees the bigger pictures of what is happening. As a researcher and computer software architect he understood early on that we design our own realities. We both were dreaming in a new world in our own ways. We met and found our work weaving together easily. Contact and friendships with higher dimensional beings was familiar to us both. We both feel this is the way we are receiving ideas and support that moves us into a new higher levels of awareness. Life gets sweeter the higher we vibrate. Our vision includes the Vibrakeys as part of a whole new cosmology arising in our world reality As we began to list all the things we wanted to share, we realized we had so much to share with the world during this major shift that we had to organize it into at least 5-6 websites each with a different focus, yet with commonalities in the new emerging cosmology.

We decided to start with the Vibrakeys. We are in the process of updating the Vibrakey website and it is up and running. Keep checking back for our many new ways we will offer support and learning adventures. New designs keep coming. I have over 50 new exciting designs and ideas in the Birthing Chamber gestating. How about a Bliss Generator? Vibrakeys seem to have their own timing. They certainly emerge as a finished product only when they are ready. The greatest challenge has been allowing myself the time to focus on and develop the new ones… with so many projects we are weaving in. I have a number of designs finished and still have to organize all the information for the backs and guides. We offer these as prints until I finish them and they are fully published.

Colin: What makes the Vibrakeys such a timely offering?

Saleena: These Vibrakeys are focusers. They assist in bringing to your attention things that are timely and supportive of your ascension process. When I read what others are receiving, when I feel what is happening all around and inside myself, I know that these keys have been offered to us ahead of time to assist during a very intense of time of shift and change. Some call it the Great Shift. Some call it the end of the world. Some call it the end of a very long cycle of creation… what ever it is... I am grateful personally for the insights and energetic changes I have experienced through prolonged exposure to these amazing keys for transformation. My world has expanded and life in my body is much more pleasant and exciting now. I am grateful for the new friendships and higher dimensional family I have reunited with. Take some time to explore them. Find the ones that resonate the most and give yourself the gift it brings. I hold the vision that they reflect a greater potential that is in each of you and when it is truly in you, you no longer need the outer tools. They reflect your glory-ous-ness, the higher dimensional being you are; the creator god that is in each of you and assist your process of awakening to that knowing and perspective, then encourage you to expand it.

When I was I Palenque, Mexico, I had an encounter with Pacal Votan at his Temple of Inscription. He asked me if I knew what was wrong with this world. He was waving his hands around and seemed agitated. Then he pointed to the sun and somehow brought it into my heart where I saw it interact with some kinds of spiraled codes in the lining of my heart. They popped open and when there were little codes floating around inside my heart… he said now that was where true power came from. Then he said, “When you know who you are and what you are here on earth for… that is where you find your greatest personal power.” That is the bridge I placed into the Vibrakey which is now updated and called VK15 Personal Power – Heart – Thymus

Many Vibrakeys are connected to living energy portals and invite us to take our next steps into a 5th Dimensional and higher way of life.

I want to thank you for sharing time with me and leave you with a perspective:

“My friend Barry Martin was telling me yesterday that he was walking through the woods and suddenly experienced a deep tone which gradually enlarged to become the music of the spheres, engulfing him in a state of rapture and total peaceand a deep knowing that all is well with the world. He felt he had fallen into a crack between the worlds and was seeing the world in its true 5th dimensional form and it was ecstatic beyond measure!” From Uncertainty into Mystery by Kiara Windrider.

Let’s meet there, reunite with our higher dimensional families and participate in an expanded reality where our natural state of being is bliss. Where we live in sustainable harmony with our environment and each other. Where we are ONE, aware of our connection in the web of life. Living in harmony with the tones and flow of the universe, all basics are easily provided and life is focused on loving, sharing, creativity and learning. In this space of love, we do what we most love, what we are most attracted to and we are “whole-y” supported to do so. And so it is…. Aloha.

Colin: Saleena, thanks for spending so much time with us today and sharing your work, it’s been really interesting to find out how your creative process has developed into such a powerful set of vibrational tools.

About Saleena:

“Saleena Ki is a true living alchemist!” “She considers herself a StarSeed and has a knack for working in all Dimensions, Realms, and Timesand Angles of Space. She is here to activate change as a prolific Visionary Artist, Psychic-intuitive Transformation specialist, Meta-physician, Writer, Inventor and Explorer, with numerous skills and deep understanding, which result in creative works. Her works have a deeply healing, activational, transformative effect on those who view them.

She has a shamanic knack for gathering the newest vibrational colors she can bring in from the universe’s palette and then creating art that sparkles with colourful diamonds and gems, crackling with lively energy. She weaves in living elements of life, love, light, fire, earth, air, water, sacred geometry, mathematical formulas, sounds, light codes and light languages. Her art seems to live, breath and dance through the dimensions with a particular kind of vital aliveness. Designed to inspire, entice, activate, raise vibrations, invite and give permission to step fully into life and take it on with ecstatic joy and splendid power, this artwork embodies and fuses Love and Power into one.” Michael Levy, Poet and Author of The Joy of Live Alchemy.

Next Month’s Interview: We continue our conversation with Saleena, this time to explore our work with the VK37 Sublime Health Project.

To Order Vibrakeys visit www.Vibrakeys.com

To schedule appt. for sessions or readings

Please call 800-949-8720 or email saleena at vibrakeys dot com

An Interview with Suzanne Lie/Suzan Caroll

With Colin Whitby

For some time now we have been featuring Dr Suzan Caroll’s messages from the Arcturians ‘The Arcturian Corridor’ and last month she sent through a note advising us of another site she has launched under the name Suzanne Lie. This month she has kindly agreed to an interview to give an insight into her decision to merge her inner/spiritual life with her outer/professional life.

Colin: Many of us have had to 'release' our inner child in order to move forward, how would you describe your journey into becoming more' conscious'?

Sue: I was one of the ones who was born awake, so I was always conscious. Actually, I may not have been born awake, as I had a death experience when I was about six weeks old. Perhaps, when I came back to my physical body I forgot my veil of illusion. However, as I matured I learned to put it back on. By the time I was a teenager the veil was pretty thick. However, I missed Home so desperately that I suffered from depression for much of my early life. Therefore, I think my journey was not one of becoming conscious as much as it was a journey of staying conscious.

When I was about 28 years old and had everything that was supposed to make me happy, a husband, a house and two children, I was so depressed that actually considered just letting go and going crazy. Upon further investigation, I found that to be a very poor option. Therefore, I decided that I would somehow HAVE to find a way back to the Home that I had so desperately missed my entire life. It was then that I began doing yoga and started my first attempts at meditation.

The Universe heard my call and sent me to my first spiritual teacher. I then started a long Path with several different teachers, but always it was my inner communications that I most treasured. Then, sometime in the late eighties, probably around the time of the Harmonic Convergence, my inner voice told me that I would no longer have physical teachers. From then on, I was to find my teachers within.

I had prepared long for this time and had read everything possible and gone to many teachers and groups. However, I was unprepared for how frightened I was to trust in myself that much. Fortunately, I had finished my education and years of psychotherapy that healed many of my inner wounds, so the Path had been cleared.

I remember one day back when I had just started my spiritual studies, I was laying on the couch, laundry and toys all around me, reading one of my first spiritual books. I don’t remember the book, but I clearly remember the opening line: “When you step onto the Spiritual Path, you must do so alone.” Finally, many I was ready to make my solo journey.

Colin: When did you first come to realize that there might be more to life than buying the latest TV, moving up the promotional ladder or eating at the most 'in' restaurant?

Sue: When I was a young adult, I was a hippy, even though I was married, had a house and two children. Therefore, I was focused on peace, love, Mother Earth and lots and lots of fun parties. We shunned the materialism of our parent’s reality and strove to create a new way of life. The hippie movement failed miserably then, but our dream is, finally, starting to come true. I am sorry that many of us got lost in the very materialism that we once shunned, but I know from my emails that many of us are now re-awakening.

I must admit that I have always liked to be surrounded by beauty, but I never had enough money to even consider buying the latest anything. However, with my moon in Aquarius, I am a bit of a techno geek, so I often had the latest Internet and computer stuff. My favorite way to spend money was, and still is, on books, music and travel—which our budget dictated as camping. However, we loved being so close to Nature, and I was young enough to do the work. Even now, when we have more money, we still choose to get rentals as far into nature or as close to the ocean as possible.

In terms of restaurants, our search was for the cheapest, healthiest place to “grab a meal.” I never had a “promotional ladder,” for I have always been self-employed and always worked in some form of education or health care. The only ladder I cared about was, and still is, the spiritual ladder. As I worked through many of my psychological blocks, I added more creativity into my life.

Colin: What lead you to create a different persona, Suzan Caroll, for your spiritual work (one that has been so successful)?

Sue: Thank you so much for your comment on being successful. I have always tried to be free of ego, but recognition is good for my Soul. J There are two reasons why I created, hid behind, the persona of Suzan Caroll. I will tell you the loving reason first and the fearful reason second. The loving reason is that, when I was a child I practiced writing that name over and over, as I told my self, “One day I will write a book and use that name.” Hence, using Suzan Caroll was a way of honoring my Divine Child and fulfilling a childhood prophesy.

The fearful reason was because I didn’t want “them” to judge me. When I was young and innocently shared a vision, insight or experience, the response was, “Oh, that was just your imagination.” or “You must have just dreamt that.” I always loved my inner world much more than my outer one. Therefore, when those around me did not accept my inner world I learned to keep it for myself and created two realities. One reality was the outside one where I had to go by “their” rules. The other reality was my inside one where I could totally be my SELF. No wonder I was so depressed.

When I joined the work force, I was in medicine (licensed audiologist) and a licensed psychotherapist. I got my referrals from insurance companies, and I was afraid they would stop referring to me if they found out that I was “weird.” Well, I said it was the fearful reason, but, sadly, it was also the truth. Yes, even with all my attempts to hide my true SELF, I was often called weird. I found out recently that that was the correct name, as weird is an on Anglo Saxon word meaning “spiritual” and “related to fate.”

Colin: I love your web site, it's well presented and easy to navigate, the messages clear. Having gone through that creative process myself I know how challenging it can be, can you tell us a little more about how you came to publish on the web?

Sue: Again, thank you for your complement, and before I answer your question I would like to share credit with my Webmaster Wendy Horwitch and my editor Wyn Saunders. Estrella Jones has also assisted greatly. Without these three great women, I never would have been able to create this site.

As I said before, in the late eighties I was informed that from then on my spiritual teachers would only be found within. This did not mean that I didn’t do copious research for my writing and my personal education. However, it did mean that I was to be the director of my Path. Fortunately, I have learned a great deal about meditation from my human teachers, so I set about a regimen of meditating on a regular basis. I have always been very clairaudient with my inner voice loud in my consciousness.

Also, my first spiritual teacher Mrs. Reed, who lived in a Faerie filled house in the hills above my house, had introduced me to the Ascended Masters, Angelic Kingdom and the Elohim, with whom I had “imagined” I had been communicating with for years. While studying with Mrs. Reed I went through the inner journey with the Ascended Masters to release many of my veils of illusion. This process is documented in my book Thirty Veils of Illusion.

Then, Darwin Gross, my last teacher, as well as the writings of his teacher, Paul Twitchell, led me to study at the Mystery Schools that are located at the threshold to each of the sub-planes of the fourth dimension. It was when I completed this inner journey that I was led onto the threshold of the fifth dimension and encountered my Soul. From then on my Soul/SELF has been the director of my spiritual education, remembering and awakening.

I then began to write down my many past lives that had forever been in my consciousness. I have known of these past lives, (which I now realize are parallel realities—as time is an illusion) since I was a young child. My memory of these lives had always ended with my sad and unfulfilled death, because I often felt sad and unfulfilled myself. As I walked the Path, my sadness greatly dissipated and I felt more and more fulfilled. Fortunately, I found that when I wrote these lives out I was able to either see, or perhaps I created, a death filled with realization and purpose.

Some of my realities were incarnations where I was lost to the darkness. Through writing out these lives, with the assistance of my Soul, I was able to bring these elements of my total SELF into the Light. This process was very powerful, as I felt every moment as if I was actually living each life again. I have documented this process in my books, Visions from Venus and Reconstructing Reality.

After I completed the process of going into the fourth dimension to heal my most important third dimensional past lives, my meditations took off in a new direction. I regained my connection with my Divine Complement and crossed the Threshold into the fifth dimension. This process is documented in accepting the call.

Once I moved my consciousness into the fifth dimension, I began to get messages from Beings from the fifth dimension and beyond, primarily from the Arcturians. The Arcturians nagged me for years until I was finally able to create a website. I resisted this process terribly and created great drama around it. Of course, when the site was finally started, my life began to totally change.

Colin: You channel some wonderful messages from the Arcturians, they resonate really deeply for me, yet channeling is one the aspects that people find most challenging, first that there are ET's and secondly that we can communicate with them. Has this influenced how you presented the information?

Sue: Yes, the ET part has definitely influenced my presentation. For starters, I didn’t talk about them at all for quite a while, due to my living in deep cover. Also, I wanted to bring my readers through a journey that was similar to mine. Finally, as I heard from more and more readers, it became easier and easier to talk about ETs. I have gotten the most reader response when I have channeled messages from the Arcturians and from Gaia. I have had many readers tell me that they believe they are from Arcturus themselves.

Channeling was not too easy at first for me either, as my ego got in the way saying, “This can’t be true.” However, I have used journaling as a means to communicate with Spirit for many years. In the early eighties I started to begin my journal process with “Dear One,” and then I would complain about my myriad problems. After that, I would write, “Dear Sue,” and write the reply from Spirit. This process gradually evolved into channeling. This evolution of complaining to channeling is documented in messages from home.

The Arcturian Corridor, which I am now writing, is clearly the most evolved channeling I have ever experienced. Besides not knowing what I will write next, I also find myself directed to old writings, often ones I have forgotten about, that perfectly fit into the storyline. It has been a process in which I receive more than I could ever give. However, the Arcturians are the ones who are really giving, and I am their scribe.

Colin: In your April message you brought your professional life and your spiritual life together by revealing the true identity of Suzan Caroll, namely Suzanne Lie, what prompted this 'coming out'?

Sue: The Arcturians directed me to create the Suzanne Lie PhD site quite a while ago, but my fear of discovery kept it separate from the multidimensions site. Then I started to hear the words of my inner voice saying, “I am ready to become my Complete SELF.” I have known about the great shift in 2012 since I met my first teacher in the mid-seventies. Therefore, I always knew there was a countdown. As more and more of the prophecies I have known for decades are being fulfilled, I have gotten to the place where I MUST BE my SELF! I am no longer dependent on insurance companies for referrals, and I no longer care if people think I am weird. In fact, I take it as a complement.

Therefore, I decided and/or heard the Arcturians tell me to start an Internet campaign for the Suzanne Lie site to drive traffic to it. Then, about a month or so later, I was meditating to receive information about the next Corridor Newsletter and received that in order to BE my Complete SELF I must merge my inner/spiritual life with my outer/professional life. The reality is, for some time now, the majority of my clients have been on the Path. In fact, I had been getting new clients who had found my Suzanne Lie site even before I advertised it.

I said in the first sentence of the above paragraph, “I decided and/or heard from the Arcturians” because my decision and the Arcturian guidance has now become ONE. Most of this integration occurred after I completed the integration of my Multidimensional SELF, which is documented in my multidimensions site.

I have offered the links and books, as it is impossible to answer such sweeping questions in just a few words. And, as anyone knows who has seen my site, I am a woman of MANY words. When I wrote Becoming ONE, People and Planet, I tried to create a short summary of what I had learned/remembered so far, and it was two volumes of over 300 pages each.

Colin: How has merging Suzan Caroll and Suzanne Lie changed your life?

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 Sue: I would have to change that question to “How is your life changing?” as the change is an on-going process. However, I still don’t know the answer. I feel that I am different, yet I also feel the same. I know that what I have channeled is correct, but I don’t know how it will work. Many readers have asked me details about the Planetary Ascension, and I say, “I don’t know. We are creating it with every thought, emotion, intention and breath.” The same goes for my life. I am in the process of creating it.

There are a few things I might change if I had a magic wand. On the other hand, when I look back at the disappointments, sorrows or setbacks in my life, I see that I grew in every one of them. Furthermore, there was always a greater purpose. Most important of all, my angst is gone and I am finally Home NOW on and within my beloved Gaia. Therefore, even though I am not very good at it, I am patiently awaiting the further adventures of Life on Ascending Earth.

Colin: Thank you Sue for spending time with us today, and for giving such considered and in depth answers.

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Sue: Thank you for your thought provoking questions. I have remembered/learned some important things about my self from answering them. I have long believed that the greatest gift we have to give is our SELF, so I thank you for this opportunity.

Suzanne Lie/Suzan Caroll

www.suzanneliephd.com

www.multidimensions.com

An Interview with Nancy Boyd

By Colin Whitby

Nancy was one of our first supporters when our format carried one of her adverts and we featured her article on Flower Essences in one of our earlier editions. This month Nancy has kindly agreed to an interview, where we talk about her new co-creation, Blue Panther essences.

We have featured your flower essences here before, what would you say is different about your new Blue Panther essences?

There are four things that are different about these essences:-

1) They are, to the best of our knowledge, the first Shamanic Reiki essences anywhere.They were created to support Reiki and Shamanic practitioners, Healers, and Teachers.We don't know of any other line of essences created and dedicated expressly for this purpose.

2) The collection was created with the assistance of power animals, whose energy is infused into the formulas.That is REALLY different! And very special.

3) They are only the third complete collection I've made for (or at the request of) others.

4) It's the first time I've used gem essences.I've not been previously attracted to them, but this collection required me to include them.Along that vein, too, I've added two new lines of flower essence suppliers to my repertory, because the formulations required them: the Australian Bush Flowers (which I've wanted to try for a long time) and the Alaskan Flower Essences (some of which have been with me for a while, but this collection ventures deeper into their essences, and it's also my source for gem essences.)

What lead you to co-create these new essences and can you explain a little more about the team who helped with this?

It wasn't my idea! Jim Pathfinder Ewing, author of Reiki Shamanism (and other books, some of which are published by Findhorn Press) and Annette Waya Ewing, energy worker and teacher. approached me about the possibility of making a Shamanic Reiki line of flower essences last autumn.

At first, I was hesitant.I wasn't sure I was up to the task.But I asked them if they could send me a description of what they wanted the essences to do, and from that I could better ascertain whether or not I would be the appropriate person for the task.

Very soon I got not only a list of essences that they felt would be useful for the collection, but they told me that they were visited during their work by a new entity that appeared to them with information about the flower essences that we had begun to discuss. The entity was a blue panther, of a type they had never seen before, and it carried a very powerful healing energy.

As soon as I heard this, I got very excited. It seemed that a doorway had opened into the project and it felt very inviting for me to proceed further.So I agreed.

Subsequently, during my meditations, I made contact with the Blue Panther, who shared with me that the Ewings had in their possession a special blue stone which would assist me with the work. Immediately I contacted the Ewings to find out if this information was correct. And the following week I received from them a most marvellous, rare blue agate that had a "mouth" with crystal points. It is very hard to describe but perhaps you can get a sense of it from the photo we took.

When I got the stone, instantly I felt a deep sense of peace and calm about the work of co-creating this line of essences, and realized that it wasn't all up to me (as I'd previously been considering the project.) Rather, this was to be a co-creative project of probably amazing proportions. As it turns out, I was correct (and delighted) about that!

How did the process of creating the Blue Panther essences differ from your usual process?

Oh, this process expanded my capabilities far beyond what I thought I could do! The first noticeable difference is that ordinarily when I work to create a new formula, I open a Nature coning with Nature, the Overlighting Deva of Flower Essences, my higher self, and my spiritual guides. That co-creative team is one with which I have long been familiar and comfortable.

But THIS project demanded that I expand the team to include additional members and enter multiple dimensions of time/space/realities. The new team that was formed to work on the project included (in addition to the usual components as listed above):

-- Jim and Annette Ewing's higher selves
-- the entity that revealed itself to us as Blue Panther
-- the Deva of Gem Essences
-- the totem animals for each of the power animals in the collection
-- the power animal for each individual essence in the collection
-- the Deva of the Blue Panther Energetic Essences

With the addition of so many new elements, in the beginning stages there was a lot of adjustments needed as we had to learn how to work together effectively. (In this regard, I owe a debt of gratitude to Machaelle Small Wright and Perelandra, and their new ground-breaking work with Soilless Gardens, which is leading me to some new directions in my coaching and teaching work as well.)

What I found was that each and every member of The Team (as I called them) was joyful and eager to assist -- BUT. . . they all wanted to "talk" at the same time. And of course this was overwhelming for me! It therefore took a much longer time to even get started with the work, due to our needing to find ways to collect, gather, consider, evaluate, and choose specific information about what should happen with the formulas -- and even HOW to go about the process.

Once we got the "communications" methods clarified (which took rather a long time) things began to take form. Literally. We each learned to honor and respect one another's gifts and limitations, and learned together how to integrate all the contributions into a meaningful whole. So much of the ultimate success of the product depended on the preliminary work we did together; it was the energetic foundation for the manifest form of the product.

From then on, the work proceeded efficiently, much like it does with my ordinary custom-blended formulas ~ but this time, with added layers of attention and focus.

You say that these new essences work multi-dimensionally, how does that work?

Most flower essences (including mine) work on the PEMS levels (physical, emotional, mental, and spiritual.) This collection ~ which was, we must note ~ created specifically for those who are learning and doing Shamanic Reiki work, takes you into additional dimensions and expands from the PEMS base into territory usually visited only by those who are prepared and awake. It is, I suppose you could say, deep consciousness support for those who are doing deep Light work.

The essences have animal names, do these relate to power animals?

Yes ~ and no! The animal named for each formula do this: it calls forth a specific power animal that has agreed to assist with and help carry the energy intention of each individual formula.

While the Totem Animal for each of the animals in the series do have characteristics that are sometimes represented in the formula, the formula is not (and is not intended to be) identical to the energy carried by any Totem Animal.

I've written more details about this aspect of the Blue Panther Energetic Essences, which are published on Jim and Annette's web site.

How does this kind of multi-dimensional essences help with Reiki or other healing modalities.

When one is doing Reiki and/or Shamanic work, one brings to the work whatever life experiences one has had thus far, as well as the skills one has learned in this regard. Often one needs to do some clearing, aligning, and release of some of the energies one carries on a personal level, to be able to do the work "cleanly". While no one alive today is free from the karma of their life experiences, one can certainly be intentional, respectful, and response-able for how one's energies affect others.

Healers in particular must be aware and sensitive to how their own energies may be, in some cases, interfering with rather than contributing to the well being of those they would serve.

And this is where the Blue Panther Energetic Essences come in. This line of essences is a complete companion set for anyone doing any kind of energy healing work, not only Reiki or Shamanistic Light Work. They will also assist with transformative personal healing work that one may be doing.

Thank you so much for sharing this with us Nancy, I can feel that it is something really significant even as I type, such a clear energy.

Nancy Boyd is a teacher, writer, metaphysician, Adult/Elder Indigo, Flower Essence Therapist, and lifelong student of consciousness and spirituality.

Nancy currently works as a Life Coach trained at CoachU and the Graduate School of Coaching. She holds a BS in Secondary Education with a lifetime teaching degree; trained for 14 years with a Native American Elder in traditional Native American healing ways; studied Tibetan Buddhism with Masters, and is widely read in philosophy and the classics. She is also a student of prosperity, alternative and complementary medicine, quantum physics, and internet marketing -- not necessarily in that order.

As you can tell, her interests and passions are eclectic -- she loves Life in all its complexity and glory -- and has a joyous, playful spirit that engages people at a higher level.

Nancy’s work is all about empowerment. In her journeys, she has discovered some things that work. Now she feels it is time to share as much as possible with others, that they too might live more joyfully and be free to do the work they came here to do.

Nancy created Bright Wings, Inc., in 1997 as a vehicle to assist others to uplift and inspire themselves. She warmly invites you to share her journey at any available entry point that might call to you!

To learn more please visit her growing list of web sites, and subscribe to her ezines and blogs.

WEBSITES:

http://www.indigocoach.net

http://www.daytoppers.com

http://www.brightwingsessences.com

http://www.floweressencesforanimals.com

http://www.liquidsmudge.com

http://www.blueeagleinvocation.com

http://www.find-great-organic-gourmet-foods.com

http://www.4currenciesoflife.com

EZINES:

Insights-On@webvalence.com

TopoftheDay-On@webvalence.com

BLOGS:

Dances With Flowers: http://www.danceswithflowers.com

Indigo Coach: http://www.indigocoach.net

An Interview with Bonnie Starr Mandell-Rice

By Colin Whitby

When I first started out on the journey of bringing The Magic of Being to life Bonnie Starr was one of the first people to support the project with ‘musings’ from her then new monthly ezine ‘Healing from the Heart’.

When she published her first book Beyond Forgiveness:Spiritual Alchemy earlier this year I ordered a copy straight away and was so moved by it that I asked if she would like to tells us a little more about herself, and the book (you can also read my review).

I hope you enjoy,

Colin.

You say your own journey as a healer started with yourself, when did you first set off on the healing path?

I date the start back to 1985, when my first daughter was a year old. Her birth triggered so many of my issues from my early childhood, particularly my issues around abandonment and not having “enough time” with someone, in my case with my father who died when I was four.

I love the way you describe how you remind your clients they are divine beings, how did you first decide this was your own path, to coach others?

Back in December 2003, when I was still practicing law, I became friends with a woman who was in a managerial position with one of my clients. She called one day to ask for some legal help with a personal problem. She was totally distraught, and I suggested that we get together for coffee right then. The legal issue was the least of her concerns. Her significant other of several years had just broken off with her and her mother was in the hospital. We talked, and over time, the friendship grew. Then one day she said to me: “You really ought to coach people; you are really good at helping me sort things out.” Another year went by, but the seed had planted. I finally quit my law practice at the end of 2005.

How would you describe the Consciousness Integration Process^TM and what lead you to adopt this particular approach?

In the fall of 2005, I found myself desperate to leave my legal practice. I simply was “done.” I wanted to write, do inspirational public speaking (of which I already had had a taste) and life coaching – helping others to open to the truth of who they really are. That November I received a bulletin from the ReCreation (Conversations with God) Foundation, which was founded by Neale Donald Walsch, in which it was stated that a Life Enhancement Program was going to start in two weeks. Through that program I would receive life coaching, public speaking and seminar-leading training and skills. This was living proof to me that “even before ye have asked, I shall have answered.” I signed up for the FastTrak, meaning I would complete my training in four months instead of 18.

During that Progam I was trained in the Consciousness Integration Process^TM, a process developed by CWG Coaching Services. The Process focuses on the understanding that what you experience in your life is based on, and flows from, who you are - your character, your principles, and the qualities - love, compassion, peace, joy, gratitude and abundance -that you embody and express. What you are being informs or shapes what you experience in your life. The conditions and situations that you experience when you are creating from states of beinghappy, grateful, peaceful and loving will be very different from theconditionsconditions and situations that you experience when you are creating fromstates of being unhappy, ungrateful,or unloving. In other words, your outer reality is a reflection of your inner reality. Your inner reality changes when you question your thoughts and set intentions aligned with with the qualities of the divine.

When did you first realise there was a book, Beyond Forgiveness; Spiritual Alchemy, waiting to be written?

I didn’t realise there was a book waiting to be written. In the spring of 2006, after have given a couple of talks and workshops on what it means to “be the change you wish to see in the world” (as Gandhi advised) and on creating authenticity and intimacy through truth-telling, a friend suggested I speak at a group to which she belonged about forgiveness in October 2006. The talk would be about an hour in length. I agreed. The next few months proved the axiom that you teach what you need to learn, because as I began to think about what I would say in the talk, I began to have more experiences that invited me to re-examine forgiveness and the wounded places still lurking within me. During that time, I also simply set out to write the talk. The material just kept flowing. I gave the talk and material kept coming for another month or so. Then that December, it simply stopped. When it stopped, I realized there was a book.

Beyond Forgiveness is an incredibly powerful tool (link to my review), can you tell us a little more about how you came to articulate the process in this way?

Thank you. As I said, the material just seemed to flow. Neither the book nor the process (such as it is – since there are many tools offered in the book) was a particularly conscious decision on my part. The book seemed to come organically out of my own experiences and how I had dealt with them over the years to come to the peace and freedom that lies beyond forgiveness. Inspiration came as I pondered how differently different people view forgiveness and what it means and how to respond to people who inevitably would ask me tough questions about forgiving the terrible things that happen in our world. The pondering, however, was not belaboured. I simply asked the questions and remained open to the answers and insights that came to me. I felt that as I wrote I was being healed. It became my prayer and intention as I wrote that the material would help to open and heal the hearts and minds of all who heard it or, later, when I realized there was a book, read it.

One phrase in your book that really stood out for me was: ‘ Love is without judgment; it loves and gives love simply because love is what it is and giving love is what it does’. Do you find people are becoming more willing to give and receive love unconditionally in this way?

Yes, I do think that there is a growing willingness on people’s parts to do this. The greatest obstacle may be simply that we have so little experience with loving unconditionally. It is virtually automatic for most of us to condition our love on the other being and acting a certain way (pleasing to us), even as most of us seek to be loved by trying to be and act in ways that will please the other. Likewise, most of us tend to withdraw love (what we call love) when the other displeases us. So there is some “retraining” involved. The wonderful thing about how the Universe operates, however, is that when we form the intention to love unconditionally, when we commit to loving unconditionally, we will be presented the perfect training situations – many of which may be very trying – to practice. Thus we have to remember to love ourselves unconditionally as well – forgive ourselves (which is an expression of the givingness of love) when we fail, and recommit.

There have been a number of really significant energy shifts during 2008 and the early part of 2009 which seem to be bringing more people together in some amazing ways, I have been talking to people at work about all sorts of things that would not have been acceptable only a year ago. Are you finding this in your own circles, if so how has this impacted your own life?’

Yes, there have been some powerful energy shifts! What I have noticed mostly has been the shifts happening in people. Old emotional pain – even from years ago – is rising to the surface to be cleared and healed. The shifting is happening faster. What might have taken many months – if not years in the old psychotherapeutic paradigm – of work is happening in weeks and days. In one instance, chronic depression for over 30 years lifted, overnight to the incredulity of this person. All the years of treatment and “just living with it” either had done enough to tip the scales so that Grace intervened at last – or Grace now enters with greater ease. I think we have individually and collectively done so much work that Grace is descending upon us. The other thing I’ve noticed– which may be more along the lines you mention – is that people are examining their beliefs and their resistance to belief in God.

I have been doing that as well, because as I describe in my book, I have had a lot of issues with God over the years! I think this is happening because, we can no longer keep thinking of God as outside of ourselves, separate from us, and handing out punishments and rewards – those thoughts are killing us. Instead, with our movement into the higher dimensional energies, we have to claim and own our Divine Power as God in expression in human form. We have to let go of the small self and let our GodSelf express through us without all of our fear and judgment blocking the way and thus creating distortion and distress in the world as we perceive and experience it.

Bonnie Starr Mandell-Rice is a writer, inspirational public speaker, spiritual mentor, and life coach. Her work is a reflection of her life-long fascination with and study of spirituality and the evolution and awakening of consciousness.

Transformative Coaching

2540 Outlook Trail, Broomfield, CO 80020

BonnieStarr@transformativecoaching.net

An Interview with Claudie Planche

By Colin Whitby

Over the last few months a number of workshops have been brought to my attention, Michael White was featured last month who was bringing in the Promised Key activations and this month we feature another initiative called The Template.

These ceremonies are being offered through Stargaia, a holistic centre based in Glastonbury, England and this month we have been lucky enough to catch up with Claudie Planche who has been facilitating The Template Ceremonies for 8 years.

Could you describe the Template, what is it and how did the ceremony format you use come about?

The Template, recently completed in April 2008, makes available a pioneering body of work in a series of workshops over 6 days. Developed by Juliet and Jiva Carter over 19 years, the whole story is told in their book ‘Worldbridger’. The Template work reconnects electromagnetic circuits in the human body.

Delivering life force into all our systems, the circuits form a precise map or Template. Using kinesiology to test the entry points, we find that there is an overall weakness in 33 major circuits of the body. However, their strength can be permanently re-established through the specific resonance of these circuits with the 5 Elements and Sacred Geometry. This is demonstrated with the use of individual muscle testing.

How did you come to offer the Template ceremonies, what attracted you to them?

I reconnected my own first circuits in 1998 with my Reiki teacher friend who had just been trained in Glastonbury to facilitate the first ceremony. This was a very potent and beautiful experience. A year later, when I read Juliet Carter‘s book ‘Ceremony of Original Innocence’, I was fired and inspired by the incredible spirit of these writings. I then attended other Template workshops as they were gradually being offered by Juliet and Jiva Carter.

The initial 4 ceremonies are facilitated by yourself (Claudie), did you have to qualify in some way for this, and if so is this ‘qualification’ open to others?

When I trained for the first Ceremony, I already had a very good first hand knowledge of the work through attending many Template events. In my personal life I was fully embracing the transformations brought about by the reconnections of circuitry.

At that time, I had been teaching groups for over 12 years. As a Reiki teacher and healer I was also experienced with energy work. From the second ceremony onwards The Template includes sacred geometry shapes which need to be thoroughly understood. In addition, there is cutting edge information which has to be integrated and communicated. So all these qualities are important for facilitating Template workshops.

There are trained facilitators in the UK and also abroad.

What would someone gain from attending a Template ceremony?

The Template Ceremonies are an ongoing journey. They have to be done in sequence as there is a definite structured progression. The experience of the first Ceremony starts the regenerating process at all levels. People feel more alive and enhanced in their individual creativity. The more circuits they reconnect, the more natural life force input reaches their body, mind and spirit.

The first Ceremony deals with our emotional foundation by transforming relationships, fears and dependencies. With the reawakened support system of the reconnected electromagnetic circuits, people become more centred. This unfolds according to every individual’s path and ability to change.

Can the ceremonies be offered remotely?

We discuss the relevance of this topic in the Template workshops.

At Stargaia you also offer sacred geometry workshops and activations, are these linked to your work with the Template?

We are fascinated by Sacred Geometry in general and offer regular talks and workshops on the subject. For example, we have been hosting the Flower of Life merkaba meditation course for many years.

Our talks introduce The Template workshops and show how the reconnections of the circuits work. In The Template the use of geometry is truly stunning. It is not only theoretical but embodied. We recommend viewing the Template video:

Thank youvery much for spending this time with us, especially since you have been so busy these last few months.

Claudie Planche, author and astrologer for 30 years, has recently published ‘Messages of the Maya Cards’, as she also works with the Mayan calendar. Her healing practice includes Reiki and Flower Essences. Inspired by Sacred Geometry, she has been facilitating The Template Ceremonies for 8 years in English and French. She runs the holistic centre Stargaia in Glastonbury where she offers regular workshops and events.

For further information,

TheTemplateGlastonbury.com

PO Box 3072, Glastonbury, Somerset, BA6 8FA

Website: http://www.thetemplateglastonbury.com

Email: info@thetemplateglastonbury.com

www.Stargaia.com

Tel: +44 (0)1458 835506